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Relic, Etching

Jan 12, 2025
2 min read

Updated: Jan 28, 2025

For as long as I remember, I have been fascinated by religious relics and reliquaries, and I have built up a collection of photographs from various museums and religious buildings on travels to Italy and Portugal. In the photographs below, I have documented the original photograph of a particular relic in Palermo, and some of my Photoshop edits. In the final black and white edit, I have cropped what I call the 'window' of the reliquary; that is, the glass-fronted section of the object which displays the holy relic-object. In this case, it is the central fragment of bone labelled as belonging to Saint Rosalia, patron saint of Palermo, Sicily.


  • Relics (Palermo Cathedral, Sicily), original photograph, 2023

  • Relic window, digital photograph, 2024

I wanted to create an aquatint of this photograph which has the quality of emerging from the darkness, rather like a mezzotint. I began by polishing a small plate of zinc to a high shine, which I hoped would result in the sharp white glints in the photograph. Then I applied a layer of rosin; smoked the plate and then began to paint the white highlights in Rhinds varnish with a very thin paintbrush.



I continued a process of stopping out tiny areas and etching in the acid a total of 4 times. I left the plate in the bath for the maximum amount of time during the last etch, with the aim of making the background as dark as possible. I was concerned that I had over-etched, which might result in a lightening of the plate. However, when I inked and printed I was pleased with the result.


  • After the first etch. Rhinds varnish is stopping out the 'white' highlights of the image

I used the smallest ball burnisher to pick out details. I wanted to bring out just enough to show the detail of the object, but keep it indistinct and still emerging from the dark background. I liked the idea of much of the object being made up of glints or light rather than tone.


  • Relic window, aquatint before burnishing, 14 x 21cm, 2024
  • Aquatint after burnishing

First stage of Aquatint Aquatint after burnishing




Relic window, aquatint print on Somerset paper, 14 x 20cm, 2024
Relic window, aquatint print on Somerset paper, 14 x 20cm, 2024













 
 
 

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